If I Didn’t Love You So Much

I wrote this with the feeling of a 1930s smoky club, possibly with a jazz band. I heard the sound of the song in my head before the song came together. I then worked on building the chords to give it a bit more punch. Someone commented “Yves Montand is alive and well and living in Southampton!” after hearing it, so I think the feel of the song worked out.

I’ve performed this with James from “Notice To The Builder” playing some excellent piano. I’ll be recoding a piano version with James early next year as he does a great job on it.

 

A Natural Woman: A Memoir:Carole King

I bought this book to find out a little more about how she wrote songs. “Will you still love me tomorrow ”  and “You’ve got a friend” are two of my favourites but she seems to have written for everyone. Check the Wiki Page. Lots of interesting stuff about how songwriters could go into a publishers office and play some songs.  She talks about the Brill building and working in a small room with a piano and table as the only furniture. Lots of songwriters competing to write follow up songs for big artists. It’s a great book but from a song writing perspective she doesn’t give much away.I recommend that you get the audio version of this book as carol sings all the bits of songs that she refers to. This seems a lot better than just reading it on the page.

I have only given it 3 stars because you won’t learn a lot about songwritign but it is an interesting history of the 60s and 70s.

Best Bit: Goffin and King worked 9 to 5 at the office. All those amazing songs were the result of solid work.

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A new way to sing “Happy Birthday”

I thought it would be interesting to write happy birthday in a new way,So I flipped it around to my point of view and ended up with a chorus “I’m so happy you were born”.

 

Agent of Change Petition

I know you get asked to sign a lot of petitions but sometimes it helps to get things moving.
Under the Agent of Change principle, an apartment block to be built near an established live music venue would have to pay for soundproofing, while a live music venue opening in a residential area would be responsible for the costs.
Sounds fair to me.
qr.net/changenow

The Art House, Southampton 20/09/2014

Thank you for hosting me at The Art House on Saturday afternoon. I wasn’t sure quite what to expect, but it was fun and I will certainly be back if you will have me.

Here is a set list in case anyone liked a song but can’t remember what it was called. Some of the songs are on my sound cloud page.

1 All I really need to be happy
2 Bed and breakfast
3 Coffee Monster
4 Club59
5 Do you care enough to fail?
6 First sunny day of summer
7 Food romance
8 King for a day
9 Searching
10 Only see the sun
11 Songbirds sing to keep warm
12 The year I hitch hiked down to Rome
13 Wolves
14 Sheep day
15 The Best Roses in Paris
16 I’m so happy you were born, Happy Birthday
17 Who are you pretending to be today?
18 Bricks
19 Shooting Stars
20 Men have to sing love songs
21 The Quiet Hunt
22 If I turned into a beetle

If you want any further information then you can keep up with where I am playing and the songs I have written on one or more fo the following.

Soundcloud https://soundcloud.com/nickhaynesmusic
Twitter https://twitter.com/NickHaynesMusic
Facebook https://www.facebook.com/NickHaynesMusic
WebPage http://nickhaynesmusic.com/

Bricks Venues closing down.

“Every good venue that closes down rips another piece from the heart of the town. A city is more than fancy flats, generic stores and chains of coffee shops.”

Most of my favorite music started in small venues run by passionate people. Many of those are now begin closed to make way for other things. This is a song about how sad it makes me feel that these great places are closing.

I’m planning to put together a You Tube video with some names of places that have closed and others that are under threat.

Some of the places where I had a great time and have now been “redeveloped” include “The Nags Head, High Wycombe” and “The Marquee club, Wardour Street, London”

There are other great places that are still going but have had a few wobbles over the years like “the Joiners, Southampton”, “Talkign Heads, Southampton” and “the Adelphi Club, Hull”

Any suggestions for great venues that have closed and others you will miss if they do.

I know you get asked to sign a lot of petitions but sometimes it helps to get things moving.
Under the Agent of Change principle, an apartment block to be built near an established live music venue would have to pay for soundproofing, while a live music venue opening in a residential area would be responsible for the costs.
Sounds fair to me.
qr.net/changenow

 

Bed and Breakfast

The song began with the title. I thought that bed and breakfast could refer to many things. Initially I was thinking of one night stands. It changed when I was watching a couple in Paris. It was clear that they were together, but to seemed to be invisible to each other. So used to each other that they no longer noticed one another. The phone held his attention in a way that she couldn’t.
The lyrics came together when I remembered the film Shirley Valentine and how she left him to go on holiday.

I wrote the tune at a piano. I liked it but as it changed key a few times in the verse it was difficult to sing with conviction.  Dm Am , Gm Eb, Bb, F Ab Eb F

I tried it at an open mic but I didn’t think the verse was right. The Chorus and the bridge had a nice open feel the I wanted to keep in the verse. I rewrote it to stay in the same key.
Dm Am ,C G, Dm Am , F E  on the second verse it ends on F G A6 to lead to the D in the Chorus.

It’s strange that the first time I rewrite a verse it seems very strange but after playing it a few times it seems it was always that way.

Songfacts Songwriter Interviews

Just found a great site called Songfacts. There is a section of the site devoted to interviews with songwriters.

http://www.songfacts.com/blog/interviews/

So You Want To Be A Rock N Roll Star: Why Songwriting Matters


My first impression of the book was guarded. I didn’t warm to the title as it is songs that interest me. There is no paper copy available (only kindle e book) and the audio version has an unusual sound quality with a lot of echo. I hadn’t heard of Marc Platt’s music. I bought an audio copy based on other reviews and I have given it my top star rating.

The book may have it’s faults but I learned a lot from it. Marc tells you the things that you need to know but other people are unwilling to tell you. e.g. Your friends and family will always say nice things about your songs. Other musicians will praise your songs if you do the same for them. Here are a few snapshots

There are a lot of songs out there so don’t bore us; get to the Chorus. People can easily jump to the next song. grab them in 30 seconds or less. Keep the song short. 3 to 4 minutes . Keep up the attention and don’t meander.Look at the faces of the audience during the song. Not every song has to be Stairway to Heaven.

Melody, rhythm message. When building a song all three need to work together. Unless you are a genius then a great message will not save a song without a good melody. Keep checking all three as great production will not save a bad song.

You can find more info on Marc’s web site.

Best Bit: There is no such thing as a bad audience. Your Songs are not your children, if they don’t work then change them. The audience response during the song is far more important than after it has finished.

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If I Turned Into A Beetle (Kafka Style)

Franz Kafka’s story has been turned into a film and a Simpsons’ Halloween episode. I thought it would make the perfect love song.